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・ Hungry (disambiguation)
・ Hungry (Paul Revere & the Raiders song)
・ Hungry (The X-Files)
・ Hungry (Winger song)
・ Hungry (XYZ album)
・ Hungry Again
・ Hungry as the Sea
・ Hungry Audio
・ Hungry Bay Nature Reserve
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・ Hungry Eyes
Hungry Eyes (Merle Haggard song)
・ Hungry Five
・ Hungry for Heaven
・ Hungry For Love
・ Hungry for Love (Johnny Kidd & The Pirates song)
・ Hungry for Monsters
・ Hungry For Music
・ Hungry for Stink
・ Hungry for Your Love
・ Hungry gap
・ Hungry generation
・ Hungry ghost
・ Hungry Ghost Ritual
・ Hungry Ghosts
・ Hungry Ghosts (album)


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Hungry Eyes (Merle Haggard song) : ウィキペディア英語版
Hungry Eyes (Merle Haggard song)

"Hungry Eyes" is a song written and recorded by American country music artist Merle Haggard. It was released in December 1968 as the first single from the album ''A Portrait of Merle Haggard''. The song was one of the most famous of his career.
==Background==
During the late 1960s, Haggard released a series of recordings many critics have deemed to be not only some of his greatest works, but some of the most significant in the history of country music. "Hungry Eyes" — sometimes known as "Mama's Hungry Eyes" — is one of those recordings.
According to genre historian Bill Malone, Haggard wrote the song as a tribute to his mother and the sacrifices she made for her family as a single mother (Haggard's father having died when he was 9).〔Malone, Bill, "The Smithsonian Collection of Classic Country Music" ((booklet included with ''The Smithsonian Collection of Classic Country Music'' 8-volume set). Smithsonian Institution, 1981).〕 The song itself is not autobiographical, Malone noted, as the Haggard family never lived in a labor camp.
However, "Hungry Eyes" is a tribute to Oklahomans and others who lived in labor camps during the Great Depression, the time period in which this song is set. "(I)t is Haggard's way of commemorating a whole generation of Okies who persisted through persecution and suffering to transplant their culture to California," Malone wrote.〔
"Hungry Eyes," whose somber tone underscored the hope-filled despair of its main subject, Mama, was a track on Haggard's 1969 album ''A Portrait of Merle Haggard''. Music critic Mark Deming noted that the song was among three of Haggard's finest songs to appear on the album; "Silver Wings" and "Workin' Man's Blues" were the other two. "(M)ost country artists would be happy to cut three tunes this strong during the course of their career, let alone as part of one of six albums Hag would release in 1969," wrote Deming.〔[] Deming, Mark, ''A Portrait of Merle Haggard'' at Allmusic

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